Various methods have been used to achieve realistic-looking sets that are lightweight, simple to handle and store over the years, from theatre to film. These techniques have improved over time, particularly with the advent of newer, lighter materials built specifically for scenery rather than "general construction."
The theatre house has a lot to do with construction. The famous balcony Juliet stands on in the enacted Romeo and Juliet was constructed.
Set construction, also known as "stagecraft," is the process of constructing the set. It involves measuring the wood, cutting, screwing, painting, and lifting, hence creating a Vacuum Suction Lifter like GRABO. A lot of work goes into what we observe on stage during a production. A stage production with a stunning set can transport an audience member to another world and immerse them in the story unfolding before their eyes.
Stage set Construction
Every group has its own set of requirements. Some shows will have elementary sets, with the actors walking straight into the crowd. Other shows feature elaborate sets, including spiral staircases and a revolving platform. It varies a lot, but there are a few pieces that appear in almost every collection.
Properly constructing this piece of the set is critical, as failure to do so would result in injury. Some planning must be done before construction can begin. Designers begin by double-checking that the dimensions are correct for the set's requirements.
A "flat," which is a flat piece of scenery painted and placed on stage to act as a building or another backdrop, is another significant set piece. As with any operation, the first step is to determine the proper dimensions. The builders then start building a frame. The final move, which varies depending on the set designer, is to secure a rig in the back, so the set piece stands upright. Others will use metal pieces with heavyweights, while some will use scrap plywood for the back. In either case, the aim is to achieve both stability and mobility.
Film set Construction
Construction managers are in charge of overseeing all aspects of the film sets' physical construction. He's involved in the early planning stages, assisting the production designer in determining how many seats are needed and how much they will cost. The construction manager is in charge of hiring all construction department heads and skilled employees, ordering all equipment, and negotiating the best prices. He's still in charge of delivering equipment to location shoots and dismantling the set once the shoot is over. Construction managers have worked as carpenters, painters, riggers, welders, and plasterers in the film industry for years. And the majority of them have prior construction experience outside of the movie. The construction manager has the difficult task of serving as a liaison between the artists and the construction workers, which necessitates exceptional communication and interpersonal skills.
Stagehands work behind the scenes in film and television studios, on location, and in theatre and concert halls. They are responsible for:
- Moving scenery, furniture, and equipment during scene changes.
- Transporting film or television sets safely within the studio or to other locations.
- Moving items during theatrical performances, too, usually in the dark.
A lot can go wrong while trying to keep to time if there are too many stagehands trying to get things moving.
Construction tools on set
- Miter Saw: Cuts plank wood and can change all angles (looks like a radio arm saw). A circular blade with a handle that you take out, down, and in is located in the OMG.
- Jigsaw: Curved cuts, usually on sheet wood, are made with a jigsaw. The blade is jagged and smooth.
- Circ Saw/Skill Saw: Straight cuts on sheet wood with a circular saw or a skill saw. The blade is circular.
- Handsaw: Very ineffective, but it can be used to cut soundboards.
- Table Saw (in woodshop): Must be used for straight cuts, is the most dangerous, and requires many people to operate. Run wood through the table/through the saw with the saw blade sticking out from the table.
- Router: Possibly the most hazardous tool on the job. Trims off the edges, follow a guide/tracing or adds a border (like a picture frame).
- Sander:(usually borrowed from woodshop) It can care for almost anything that fits. It's still a cutting tool, and it's still the danger, despite the name! Check the sandpaper if it isn't working correctly.
- Vacuum Suction cup Lifter: A lot of heavy lifting is involved in building stage sets, so Vacuum Suction Cup lifters are necessary during construction, saving the crew a lot of time. Although Vacuum suction lifters are associated with building materials such as stones, slabs, glass, there's one material we often forget some Vacuum Suction cup lifters are capable of lifting: Wood, a material commonly used on set. One of those lifters is GRABO. The GRABO Vacuum Lifter works particularly well on rough or porous materials (wood, concrete, rock, gypsum boards, natural stone tiles) that otherwise wouldn't work with a standard hard rubber suction cup.